Showing posts with label Nas. Show all posts
Showing posts with label Nas. Show all posts

Tuesday, December 14, 2010

#9: Nas & Damian Marley-Distant Relatives

Collaboration albums always seem to come out a disappointment. This may be the result of the initial collective fan freakout that inevitably follows when it is discovered that successful artist X is pairing with successful artist Y for a full length album and the resultant let down when all realize it's not an instant classic that will redefine rap. Too often concerning hip-hop collaborative albums, the whole is not greater than the sum of it's parts, but less than. Sorry Aristotle.

While collaboration albums always seem like a great idea in theory, they have proven to be incredibly difficult to numerous pairings in reality. This may be because it's difficult enough to create a coherent full length album as an individual, but once another artist with entirely different artistic visions enters the fray the album becomes disjuncted. Or it may be because collaboration requires just that, full collaboration, and without that close artistic relationship the album is doomed to mediocrity.

With all the potential pitfalls, it was understandable that when Nas and Damian Marley announced they were uniting forces for a full length album titled Distant Relatives the fan reaction was split between skeptical and anxiously anticipatory. After all, collaborations are tough enough, but uniting two artists from two different genres seemed like a daunting task. Leading up to the release it seemed fair to ask if this would be a hip-hop album, a reggae album, or both. And if both, could the two artists make it work?

However, where other collaborations fail, Distant Relatives excels as both artists feel at home at all points on the album and neither feels like they are being pulled in a certain direction. This may be due to the focused topic of the album. Most collaborations lack any unified feel and the listener leaves feeling that the two artists just went into the booth to showcase their individual talents and see what happens. This is not the case on Distant Relatives. Both Nas and Damian Marley have become famous for their ghetto stories and becoming a voice for the voiceless. In this sense, the uniting of these two artists makes perfect sense and provides the strength that brings their album onto this list. As is usually the case, Nas' lyrical verbosity is on full display throughout the album and he gives a very apt description for the entire hip-hop generation in a mere two lines when he raps on the song 'My Generation':

Can you blame a generation subject to gentrification
Depicting their frustrations over ill instrumentations

This theme of being the voice for the hip-hop nation is what makes this work so ambitious and so powerful. It goes beyond speaking simply for those in American ghettos all across the country and acknowledges the fact that all of the problems that have created our American ghettos and the racial underclass exists around the world. For over a decade now, hip-hop has been a global genre celebrated and loved around the world. This album, with two seemingly very different artists, creates a sound that may be defined as global hip-hop, and without the collaborative effort I doubt the message would have been so powerful.





Nas and Damian Marley - Distant Relatives

Saturday, May 9, 2009

Mother's Day Hip-Hop


Believe it or not, hip-hop has provided the world with some of the greatest mothers day tracks known to human kind. Today I head home for Mother's Day and is my usual question before I set out on the 2.5 hour drive- what am I going to listen to? Well here is the answer, an assortment of my favorite mothers day tracks will start me off on the right foot. 






Sunday, October 5, 2008

Jay Z in the D



As reported last night, I had the privilege of seeing Jay Z give a free concert at Cobo Hall in Detroit. Cobo was packed with an interesting mix of people, as Carrie Underwood was performing at Joe Louis next door. Hova and Miss Underwood don't exactly share audiences, so walking down the corridor was interesting. While the Carrie Underwood fans had cowboy hats the Jay-Z crowd included a guy wearing a shirt with Obama dunking on McCain and a whole lot of Nikes. Shirt by undercrwn if you want to go find it. 
Thanks to getting there early, I was able to get good seats as it was general admission. The entire duration the DJ was playing before the best rapper alive came out I kept thinking to myself how much  Jay Z would normally charge for the seats I sat in. 

When he finally came out to the chants of Ho-Va Ho-Va you could tell that despite the free show he was going to bring it. And bring it he did. From then  chants of O-Ba-Ma were mixed in with HO-VA. 

Get Yo Diamonds Up!

Speaking of Jay Z, a nice little mix just popped up with his name on it. For all of you that thought the Ron Brown song Pop Champagne was all fun until Jim Jones came in, Mick Boogie has come up with a solution for you. He threw some old verses from Jay-Z (Come On Baby with Saigon) and Nas (Nas' Angels...The Flyest) on it, and voila, Jim Jones is gone. 



Monday, July 7, 2008

Hero Video

One more video on the day. This track is so good that I use any excuse to listen to it, it just sounds so triumphant. Nas was one of my favorite artists before this song, but he went above and beyond on this one. This track has definitely been my summer jam so far.